Ancient Greece

Statue of Zeus at Olympia: What the Ancient Wonder Was Like

A seated Zeus of gold and ivory, almost touching the roof: what Pheidias' lost wonder at Olympia looked like.

Engraving of the colossal seated Zeus of Olympia inside his temple
The Statue of Zeus at Olympia as imagined in a historical engraving. Copenhagen, Statens Museum for Kunst. Every picture of the statue is a reconstruction built from ancient descriptions.Photo: Public domain, via Wikimedia Commons
The short answer

The Statue of Zeus at Olympia was a seated figure of the god in gold and ivory, made by Pheidias around 430 BCE for his temple at Olympia. Almost 12 metres high, it nearly touched the roof, and it was counted among the Seven Wonders. It is lost; ancient descriptions tell us what it looked like.

The temple and the sanctuary

Olympia, in the western Peloponnese, became a centre for the worship of Zeus in the tenth century BCE, and from 776 BCE it hosted the Olympic Games every four years. In the sanctuary the Eleans built a new temple for Zeus from the spoils of their war against Pisa. It was a Doric temple with columns all round, built of local stone by the architect Libon, with roof tiles of marble. The statue was made for it.

What did it look like?

Pausanias, who described the sanctuary in the Roman period, gives a careful account. The god sat on a throne, made of gold and ivory. On his head was a wreath copying olive shoots. In his right hand he carried a Victory, also of ivory and gold, wearing a ribbon and a wreath; in his left a sceptre inlaid with every kind of metal, topped by an eagle. His sandals and his robe were gold, and the robe was decorated with animals and lilies.

The throne was a work of art in itself, adorned with gold, jewels, ebony and ivory, with painted figures and carved images: dancing Victories on its feet, sphinxes carrying off Theban children, Apollo and Artemis shooting the children of Niobe. On the pedestal, in gold, were the Sun on his chariot, Zeus and Hera, Aphrodite rising from the sea, and other gods. Pausanias knew that the statue’s height and breadth had been measured and recorded, and refused to repeat the figures: the numbers, he said, fell far short of the impression the statue made.

A god too large for his house

The scale was part of the effect. The geographer Strabo says Pheidias showed Zeus seated but almost touching the roof with his head, so that if the god stood up he would unroof the temple. He adds that the painter Panainos, Pheidias’ nephew and collaborator, helped decorate the statue, especially the colours of the robes, and that Pheidias took his model from Homer’s lines in which Zeus nods his dark brows and shakes Olympus.

The materials needed care. In front of the statue the floor was paved with black stone, with a raised rim of Parian marble to hold olive oil, which protected the ivory from the marshy ground of the sanctuary. On the dry Acropolis of Athens, by contrast, the Athena Parthenos was kept in good condition with water.

Remains of the workshop of Pheidias at Olympia, later a Christian church
Workshop of Phidias, Olympia. The surviving structure was later adapted as a Christian basilica.Photo: HerrAdams, CC BY-SA 4.0, via Wikimedia Commons

The workshop of Pheidias

Pausanias also mentions a building outside the sacred grove called the workshop of Pheidias, where the sculptor made the statue piece by piece. Excavations found it under the remains of a Byzantine church: a building whose plan matches the plan of the temple’s cella. Moulds and tools used to make the sculpture came out of the ground there, and so did a cup bearing Pheidias’ name, the final proof of the identification. The finds date the statue to about 430 BCE, a few years after Pheidias finished the Athena Parthenos.

Phidias cup at Archaeological Museum of Olympia
Cup bearing an inscription identifying it as belonging to Phidias, second half of the fifth century BCE. Archaeological Museum of Olympia. Vessel and view of its inscribed base.Photo: Muriel Pécastaing-Boissière pour Cédric Boissière, CC BY-SA 3.0, via Wikimedia Commons

One of the Seven Wonders

Ancient lists of the wonders of the world varied, but the most common one included the Zeus at Olympia, alongside the pyramids of Egypt, the Hanging Gardens of Babylon, the Mausoleum at Halikarnassos, the temple of Artemis at Ephesos, the Colossus of Rhodes and the lighthouse of Alexandria. For Greeks who came to the Games from all over their world, this was how the gods are shown at their most powerful: a king enthroned, calm, holding victory in his hand.

How and when the statue was destroyed is not known. Unlike the temple, which still lies in ruins at Olympia, nothing of it survives.

Where to see it

The ruins of the Temple of Zeus and the workshop of Pheidias are in the Archaeological Site of Olympia, a UNESCO World Heritage Site since 1989, and the finds from the workshop are in the Archaeological Museum of Olympia nearby. Check opening times before you go.

Sources

  • Pausanias, Description of Greece 5.10.2-3, 5.11.1-10 and 5.15.1, trans. W. H. S. Jones and H. A. Ormerod (Perseus Digital Library).
  • Strabo, Geography 8.3.30, trans. H. L. Jones (LacusCurtius).
  • Perseus Digital Library, Ancient Olympics, “The Workshop of the Sculptor Pheidias”; UNESCO World Heritage Centre, “Archaeological Site of Olympia” (517).
  • Encyclopaedia Britannica, “Statue of Zeus”; “Seven Wonders of the World”.

Quick facts

Artist
Pheidias, with the painter Panainos
Title
Zeus enthroned (Statue of Zeus at Olympia)
Date
c. 430 BCE
Material
Gold and ivory (chryselephantine); throne with gold, jewels, ebony and ivory
Dimensions
Almost 12 m high, seated
Provenance
Made in the workshop of Pheidias, Olympia
Location
Olympia, Temple of Zeus; lost